Whakapapa- This refers to the tracing back of your ancesters, your family lineage, as far back as the verbal memory reaches. Often the Whakakpapa is a verbal record. The notion of Whakapapa in its wider sense is not just about genealogy but about how we connect to eachother.
Lisa Reihana's belief about time in space. Night time is the best time for story telling. Travelling in the company of those you love is time in motion. Reihana believes you can be far away from people or places you love. But time and space can collapse. Maori conception of time, i nga wa o mua that one walks towards the past guided by one's ancestors with the future behind. Lisa says, You are under the protection of your ancestors who came before you and support you. Whakapapa provides a continuum of the past present and the future.
List the media Lisa uses. Multi media and theatrical stuff.
The realism of the photographic image created a tension with carving? Represented ansestors equally but Reihana often just got permission to use the carvings. She saw this as sad and she says I've collapsed these two ideas to create a new hybrid.
What is the important function of a Wharenui?? The importance of the Wharenui is sharing stuff bringing the family together and teacing the younger ones how to respect others for the next generation.
How did photographic process came into Lisa Reihana's practice?? She was thinking about gender roles and how to transgress culture in a respectful way. She seized upon photography because they sit outside traditional rules.
Why do Maori women decorate carvings with feathers for special occasions?? these adornments provided a mechanism for the ancestors to speak through channelling the spiritual realm through vibrations. The quiver of feathers indicated other presences responding to korero.
How does Lisa Reihana like to activate Digital Marae?? she sang a waiata.
Describe Maori conception of time. I Nga Wa O Mua.
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| Mahuika |
She is referring to the story about Maui asking for fire. [The story goes that Maui put out the fires in his village perhaps as an excuse to undertake the journey into the underworld to meet his grandmother Mahuika. She possessed fire in her fingernails]. Her gaze she's giving the viewers is kinda a blind look like she's seeing something else thats around her. Which gives this picture a kinda scary look. Even with the dark clouds behind her. It gives a underworld look to the picture. Her firey dark dress looks like whats its supposed to look like. FIRE. Everything about this picture is what its supposed to look like. So me as a viewer of this picture. It looks like the underworld. Her hand gesture is like she wants you to go closer to her. The feeling i got when i first saw this picture was Hine Nui Te Po [The goddess of death] Which is kinda scary in a way. What i like about Lisa's work is that the mythical meanings to her work and some of the myth stories she talks about i have read before. The pictorial elements support everything she's doing or trying to say to the viewers but in a photograph. I think that the most viewers would just see this photograph as a dark photo. But when they hear the story behind it they would see what she's doing and what she is communicating.